A lot, apparently. In his Photography After Frank , most of Gefter’s essays are complementary profiles of a variety of photographers, some famous, some not so much. But, when it comes to his review of Leibovitz’s own book, A Photographer’s … Continue reading →
So, what’s Philip Gefter got against Annie Leibovitz?
A lot, apparently. In his Photography After Frank , most of Gefter’s essays are complementary profiles of a variety of photographers, some famous, some not so much. But, when it comes to his review of Leibovitz’s own book, A Photographer’s … Continue reading →
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